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Daniel Traub, from China Structures, ca. 2005-07

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"Sderot Home,” Israel, 2012, based on drawing “by a child who had been living in a bunker.”

Brian McCarty’s photo series, War-Toys, replicates the lives of children surrounded by conflict. See more from the series here.

© Brian McCarty

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Amy Stein | Backyard, 2007, from the series Domesticated

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I’ve posted the top image before; it’s an Edward Burtynsky photo contrasting a Phoenix suburb against Indian lands. Anyway, the caption was specific enough to pinpoint the location as the border between the Stonegate community in Scottsdale on the right and the Salt River Pima Maricopa Indian Community on the left. The bottom image is a Google Earth simulation of the same viewpoint.


Edward Burtynsky | Navajo Reservation / Suburb, Phoenix, Arizona, USA, 2011, from the series Water

Also read his interview with the Los Angeles Times.

(this post was reblogged from grainsoflight)

Martin Adolfsson | Suburbia Gone Wild

Turns out that McMansions around the world readily model themselves after a very American vision of the upper middle-class lifestyle (it’s so American that a portrait of John Kerry graces a Shanghai model home). From the Atlantic Cities’ interview with the photographer:

What is it about upper middle-class American suburbs that makes them aspirational or exportable to the places you visited?

This copy+paste behavior is a result of America’s cultural dominance over the past five decades, exported through soap operas, movies, and magazines. I also think that the “lifestyle” fills a cultural gap as many of these countries didn’t have an upper middle class until recently and haven’t established a strong identity for this growing class yet.

Side note: This reminds me a lot of Bernd and Hilla Becher’s Typology photos.


Robert Frank | Parade, Hoboken, New Jersey, 1955

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